![]() Since the ’60s, countless young singer-songwriters have been celebrated as “the new Dylan” while others were looking for “the next Beatles.” Only the most foolhardy of musicians accepted these mantles, because they came at the cost of impossible expectations, limited growth and nostalgia run amok. The music world is particularly guilty of this. Chris Pratt is this generation’s Harrison Ford, who was that generation’s John Wayne. ![]() Lin-Manuel Miranda is the new William Shakespeare. Popular culture is obsessed with anointing the “new” version of the “old” thing that proved extraordinarily popular.
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